It’s safe to say that The Twilight Saga has become a cultural phenomenon. The film series has emerged as one of the most successful ever created, breaking box office records and garnering a massive amount of fans in the process. Too bad popularity doesn’t define quality. The third installment in the franchise, Eclipse, is easily the best. With that said, it’s still not good.
The movie begins where New Moon left off. The love triangle between human Bella (Kristen Stewart), vampire Edward (Robert Pattinson) and werewolf Jacob (Taylor Lautner) rages on. Bella and Edward are in love and she desires to be changed into a vampire, but Edward refuses unless one condition is met: she must marry him. Otherwise, he wants her to remain human and keep her soul intact. Jacob also loves her and has a feeling she loves him back, but won’t admit it. He and his kind are also in a feud with Edward and his family, each thinking the other one is dangerous, but when Bella’s life is put on the line, they bond together to protect her despite their conflicting emotions.
I’ll say this for Eclipse. It tries. Due to Edward and Bella being separated throughout the majority of the film, New Moon was too overcome with its annoying teenage angst and lustful brooding to say anything relevant. Here they are together and seemingly happy. She wants to be changed into a vampire, but is trying to cope with the idea of losing her family. She is weighing the value of love and what type of consequences she will face should she get her wish. The movie asks how important love is and how far you’ll go to be with someone else.
Or at least it would like to think so. Eclipse wants to be more adult, but it’s weighed down by a script with dialogue that feels like it was written by a high school girl who thinks she knows what love is, but really doesn’t. While New Moon felt like an overemotional soap opera, Eclipse is more like a teen drama that correlates love with cheesy idyllic descriptions that seem to be ripped from the diary of a newly broken hearted 14 year old.
The rest of the film is largely the same as its predecessors, only slightly better. It’s a bit darker, most likely due to director David Slade’s experience with more disturbing material like 30 Days of Night and the terrific Hard Candy, yet he still introduces characters through ridiculous, laughable shots that feel more like fan service to show off the hunks in the picture than actual filmmaking. The action is better, again due to Slade’s past experiences, but its violence is toned down to fit its PG-13 rating and its CGI effects, particularly on the werewolves, look awful. The acting still stinks and, better still, the upper nudity of the male body is still exploited to gratuitous effect.
The only true enjoyment to be had in the Twilight films comes from listening to and watching the audience reaction to what happens onscreen. I find it hard to take this tripe seriously, but you’d think the oxygen was being sucked out of the room hearing the gasps from its adoring fans. When somebody got hurt, they shrieked in fear and when somebody gave a speech on love, regardless of how inane and manufactured it may have been, they cried. It almost makes me wonder what they would do if they actually saw a movie that was worthy of those emotions.
Now, I have no problem with the female population latching onto this series. The men have their Rambos and the women have their Twilights, but it’s time to step out from the clouds and look at these movies for what they truly are. If you liked the first two, I suspect you’ll enjoy this one, but liking something and arguing it as quality are two different things. Eclipse may be a step in the right direction for the franchise, but at this point, I fear “good” is an adjective that will never be used to describe it.
Eclipse receives 2/5