Redundancy in cinema is commonplace. There are only so many stories to tell and most films end up regurgitating story points from those that came before, but none seem more worn out than the “body switch” subgenre. It was tired well before now, but still we have The Change-Up to battle against. It’s a movie that requires very little of its audience, but in a marathon day where I sat through four different movies with this being the last one, mentally exhausted by the time it came around, I still found it inane and generally unfunny. Just think how much I could have hated it had I actually thought through it.
Dave (Jason Bateman) is a lawyer who spends far too much time worrying about his job, despite his wife, Jamie (Leslie Mann), and three children (including twin babies) back home who need his attention. His best friend, Mitch (Ryan Reynolds), on the other hand, lives alone, has no job (though he has just lined up an acting gig in a “lorno,” a light porno) and spends most nights with a different woman. One night, after a drunken bar visit, they talk about how great each other’s lives are, Dave jealous of Mitch’s carefree lifestyle and Mitch of Dave’s loving family. While simultaneously urinating in a fountain, they wish they could switch lives. When they wake up, they find their wish has come true. Dave is now in Mitch’s body and vice versa.
Despite its been-there-done-that feel, The Change-Up is not a bad idea. Its two lead stars are charismatic and different enough that it’s relatively fun watching them play each other. It’s hard to keep things straight sometimes when you’re watching Ryan Reynolds play Jason Bateman playing Ryan Reynolds, but if you’re familiar enough with their usual onscreen personas, you’ll get the jokes. Bateman, for instance, is usually typecast as your typical nice guy, but he’s definitely playing against type here. He’s loud, rude and abrasive, not at all like the straight man we’ve come to know over the years.
The problem is that the characters, no matter which body they are in, are unlikable. Before the switch, Dave complains about his life, defining his marriage to his wife and having their three children as a mistake. As he says, he “pissed away” his life. Mitch is despicable in another way. He’s a vulgar, misogynistic loser who disregards others and treats Dave’s children like dirt. After the body switch, he tells Dave’s daughter to always solve her problems with violence and he carries around the twins by the back of their necks like cats. His abusive tendencies towards those around him make him hard to sympathize with or, most importantly, laugh at, despite Bateman giving it his all. Of course, as is par for the course in these types of movies, both characters learn valuable life lessons that any viewer will be able to see coming from a mile away, but these late movie redemptions don’t forgive its mean-spirited attitude.
This particular body switch is the most interesting since Nicolas Cage and John Travolta in Face/Off, or at least it would have been had it not been assumed the film could be carried solely off watching the two actors play exaggerated versions of each other. I could complain about the unnecessary side story that has something do with Mitch’s father, played by Alan Arkin of all people, getting married, but I don’t think that matters to this movie’s target audience. If you’re wondering if that’s you, here’s a quick test. Within the first five minutes, one of Dave’s babies shoots poop into his mouth. Did you laugh?
The Change-Up receives 2/5