Romantic comedies so often rely on formula, one should be praised when it dares to break the rules. The last film to do so is 2009’s wonderful (500) Days of Summer. This week’s latest, The Five-Year Engagement isn’t quite as delightful or original as that film, but it avoids many of the usual romantic comedy clichés, including the “meet cute” and the initial dislike between the two main characters before they fall in love.
At the outset of the film, Tom (Jason Segel), a sous chef in a San Francisco restaurant, and Violet (Emily Blunt) have already been together for a year. It’s New Year’s Eve and Tom’s acting a little weird, but it’s only because he’s going to propose to Violet. When he does, she accepts and they begin planning their wedding, but a kink is put in those plans when Violet is accepted into the University of Michigan where she hopes to earn a doctorate in psychology. The plan is to do so in two years, so they put off their wedding until she’s done and Tom quits his upscale job to move with her to Michigan. However, she excels in her field and is eventually promoted, so they find themselves stuck there for a few more years, but Tom’s unhappiness is growing and it’s going to put a strain on the relationship.
The Five-Year Engagement grabs you right off the bat. It presents two likable actors playing two very likable people who love each other deeply. It circumvents the overused screenplay tactics like dramatic misunderstandings and the general awkwardness that most romantic comedy screen couples are forced to go through. They’ve already gotten passed all that and even though it’s only spoken, you can feel that they’ve been together for a year already. Segel and Blunt are simply fantastic together and you can’t help but cherish the love they cherish so much themselves.
You could make the argument that Violet is too much of a looker for a tall, pudgy guy like Tom, but it’s not difficult to see what she sees in him. He’s one of the most dedicated, unselfish people in the world and when she breaks the news to him that she was accepted to Michigan and will be moving there for two years (over a bottle of wine she uses to calm her nerves), he’s genuinely happy for her and actually suggests quitting his job and moving there with her; she doesn’t have to ask. Even after he hears from his boss that she was going to make him the lead chef at one of her new restaurants, he still packs up and leaves, knowing that Violet is well worth the sacrifice. He’s willing to give up his dreams and desires he’s worked so hard to obtain so she can have a chance at obtaining hers. It’s impossible not to like Tom.
Violet isn’t selfish either (despite a poorly expressed sentiment that maybe she deserves to be). She never pressures Tom to do what he does and she is always aware of his feelings. She asks him about them so much, in fact, that he tells her to stop, assuring her he’s okay with the situation. Of course, he’s just being his usual supportive self and isn’t entirely okay with it, especially after she breaks the news to him that her two year stay has been extended (a two year stay that is breezed through far too quickly). After sacrificing two years of his life, he’s ready to move on and get back to San Francisco, which is now impossible if he wants to stay with Violet. This inevitably leads to some unavoidable relationship problems, both wanting to follow their dreams without causing the other to give theirs up, a hope that is unattainable.
The unhappiness of such a stressful situation is more than enough to bring forth drama—and in a way that isn’t indicative of your usual formulaic romantic comedies—but The Five-Year Engagement nonetheless falls victim to screenplay doubt, forcing in unnecessary drama on top of the problems at hand, like when Violet’s professor (Rhys Ifans) kisses her after a night of drunkenness. Their friendship is charming at first, so it’s that much more annoying when it devolves into typical rom-com fare. (It’s such a shame that a man and a woman can’t be friends in a Hollywood movie without eventually hooking up.)
At over two hours, The Five-Year Engagement goes on for too long, especially considering so much of the late movie drama stems from that redundant affair and could have been cut out altogether, but what it botches with the drama, it nails in the comedy. This is a very funny movie—not quite as funny as this year’s 21 Jump Street (but then again, it isn’t trying to be)—and it will leave you smiling more often than not. Regardless of its problems, it’s a movie that just makes you feel good and that in itself is worth giving it a recommendation.
The Five-Year Engagement receives 4/5