Movies are a business. It’s as simple as that. Most movies that make money are going to get at least one sequel, regardless of whether or not the story warrants one. Rarely, however, does a movie feel as much as a cash grab as The Bourne Legacy. The Matt Damon starring Bourne movies had their fair share of problems, but none were as cumbersome as this. The Bourne Legacy isn’t as fun, interesting or exciting as the original trilogy and it coasts by on name alone. Separate this movie from the franchise as a whole and it becomes an instantly forgettable and banal thriller.
The protagonist this time is Aaron Cross (Jeremy Renner), a genetically engineered black ops agent similar to Jason Bourne. Due to Bourne’s events in the previous movies, the government has cancelled its black ops programs and has decided to dispose of all their field agents, a task assigned to Retired Col. Eric Byer (Edward Norton). However, Aaron escapes and eventually meets up with Dr. Marta Shearing (Rachel Weisz), a scientist who worked on the program who is also in the government’s crosshairs. Together they set out to expose the government’s crimes.
The story isn’t complicated—it’s actually fairly straight forward—but The Bourne Legacy (and indeed, the previous films) needlessly convolutes it with too little explanation and too many location jumps. The movie starts at a training site in Alaska before jetting to Reston, VA, Washington DC, London, New York City, Chicago, Korea, Pakistan, Thailand and back again. While some jumps are necessary, others are not, existing only to show agents in other parts of the world as they are taken out one by one. Such obvious inclusions are unnecessary. We know what’s happening, why show it? The film includes many moments like these that do nothing but muddle up the picture and take away from the story at hand.
It’s moments like these that truly prevent The Bourne Legacy from finding a rhythm. Pakistan, Korea and many other locales in the film are visited as if their inclusion will be setting up important future scenes, but they never do. This tedious globetrotting is broken up by nothing more than random scenes of violence that are interspersed throughout. Like the original trilogy, this movie suffers from excessive close ups and nauseating shaky cam. Although there is some fluid camerawork, including one impressive sequence when, in a matter of seconds, Cross scales a house and jumps through a window to meet an intruder at the top of the stairs, much of it is too hectic to keep up with. The camera moves so gratuitously at times that it often feels like you’re watching an overproduced Tony Scott film. Cross may make for a good protagonist, but he’s not fleshed out enough for us to care and the clunky action doesn’t make up for it.
Renner is a capable actor, so this movie’s failures certainly isn’t his fault. It just appears that the Bourne series has lost its luster. Those not already over the franchise most likely will be after witnessing one of the most unsatisfying endings to grace the big screen this year. Just as the film finally begins to gain the momentum it so desperately needs, it ends. The ending isn’t quite a “non-ending” like January’s The Devil Inside, but it’s just as abrupt and inconclusive, no doubt due to the studio’s desire to continue the franchise. It leaves many doors open, but you likely won’t care.
The Bourne Legacy refers to the franchise’s hunted down black ops agents with the tagline, “There was never just one,” which may be true within the world the previous films created, but their stories are largely the same. We’ve seen this before and it was more interesting the first three times.
The Bourne Legacy receives 1.5/5