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Entries in Drew Barrymore (2)



It’s easy to understand if some cinemagoers have given up on Adam Sandler. Despite some solid performances in movies like “Reign Over Me” and “Punch-Drunk Love” and a few (arguably) funny early films, he has, at this point, fallen off the wagon. With a five film run (excluding animated voice work) of “Grown Ups,” “Just Go With It,” “Jack and Jill,” “That’s My Boy” and “Grown Ups 2,” only “Just Go With It” managed to be even remotely watchable, while “Grown Ups 2” can easily be labeled with no hyperbole as one of the absolute worst comedies ever made. However, it doesn’t appear he’s totally lost, as evidenced by his latest, “Blended.” While a positive reception to it could very well be due to the disastrously low expectations Sandler has set for his movies over the last few years, there’s a certain warmth to it that makes it more than the sum of its parts.

In his third outing with Drew Barrymore, Sandler plays Jim, a manager at a local Dick’s Sporting Goods store who has a terrible first date with Lauren, played by Barrymore. Neither are interested in the other, so they part ways expecting to never see each other again. However, a chance circumstance lands them both at an African resort where they are booked to participate in a number of couples events. Along with them are Lauren’s two boys, one a reckless danger to himself and the other just discovering his sexuality, and Jim’s three girls, the oldest of which is developing a crush for the first time, terrifying Jim. However, their attraction grows while on the vacation and they each develop bonds with the other’s kids, which leads them somewhere unexpected.

“Blended” has a leg up when compared to Sandler’s recent filmography. Whereas films like “Grown Ups” and its sequel didn’t even bother with a story, this film’s ideas and themes center around its story. Sure, it’s predictable, but there’s heart to it and its family value themes come naturally rather than forced like in “Jack and Jill.” Similarly, the kids aren’t just throwaway figures like they have been in previous movies. They’re integral to the film’s meaning. Each of Jim’s children misses their mother, who died of cancer, and they each have their own ways of coping. The middle child, for instance, likes to pretend that her mom is still there, an invisible force that she speaks to and saves a spot at the dinner table for. Jim, who also misses their mother more than anything in the world, goes along with it, understanding the pain his daughter feels.

Both Jim and Lauren, the latter of whom is dealing with the resentment from her children for leaving their deadbeat father, have the best intentions and are trying to make the most out of a life that hasn’t quite gone as they planned. They’re both flawed, particularly Jim, who dresses his girls up in boyish clothes and styles their hair in the female equivalent of a bowl cut, but they’re doing their best, both clearly out of their comfort zones when they have to deal with issues that their spouses would have traditionally handled, like when Lauren finds a hidden centerfold under her son’s bed or when Jim’s oldest daughter hits that time of the month.

They say the quickest way to someone’s heart is through their kids, so it comes as no surprise that it’s they who end up sparking the attraction between Jim and Lauren while in Africa. Each help the other in various ways and as more layers of Jim and Lauren are revealed, their desire to spend more time with each other grows. These moments are genuine too. At first, some of the jabs they take at each other are a little mean spirited, but more often than not, they’re nothing more than playful pokes, the type of innocent jokes any loving couple shares with each other.

On top of all that, “Blended” is actually pretty funny, surprisingly so after Sandler’s last few abominations. Granted, likable characters make for a more pleasant and humorous experience, but some of the jokes are genuinely clever, like when it upends the post-makeover slow-mo entrance scene made popular by romantic comedies in the 80s and 90s with transitioning music based on the reactions of those looking on, including Jim’s horrified expression as he realizes his little girl will now be an object of desire for the boys around her. It even nails the awkwardness of first dates; those who have ever been on a bad one will get to see the old “planned emergency phone call” escape we’ve all wanted to try, but never had the guts to.

With all that said, “Blended” is still not a great movie. It has just as many jokes that land with a thud as it does that actually work and some late movie dramatics pile on the cheese, despite previous false set-ups that could have circumvented it. “Blended” stumbles a ton, that’s for sure, but when it’s at its best, it finds real meaning. It’s touching and doesn’t feel exhausting despite its nearly two hour runtime, which includes a recurring bit from Terry Crews where he shows up in the most random places to sing, a bit that should get old, but, oddly, never does. This is a major step up for Sandler after his previous debacles. Let’s hope he continues this upward swing and realizes his potential because I’m not sure I could suffer through a “Grown Ups 3.”

Blended receives 3.5/5


Going the Distance

Summertime and the holiday season are the two biggest times of the year for cinema. Not only are they the most profitable for Hollywood, they also receive the most high profile films. Big budget blockbusters, hilarious ensemble comedies and dramatic Oscar contenders all seem to show up during those points in the year. The areas in between, despite having the occasional winner, are usually laden with garbage—bad romantic comedies, lame horror movies and the like (the latter of which The Last Exorcism can attest to). Well, this week’s romantic comedy, Going the Distance, is one of those occasional winners. Its execution is awkward and its existence slight, but there’s a bit of charm and a few decent laughs to keep you interested.

Justin Long plays Garrett, an outgoing young guy who hates his job at a local New York record company. In a hilarious, true-to-life opening, his girlfriend breaks up with him for not buying her a gift on her birthday, despite telling him she didn’t want anything. Supposedly, the statement was intended for him to realize how much he wants to get a gift for her. But no dice, he doesn’t and the relationship ends. At a bar one night, he meets Erin, played nicely by Drew Barrymore, at a Centipede arcade machine. It turns out she’s the elusive ERL who has dominated the leaderboards for the last few months. The two connect and end up back at Garrett’s place, but then Erin explains to him that she’s an intern at the New York Sentinel and is only in town for another few weeks. Although they agree early on not to take the relationship further than random hangouts and hookups, it nevertheless blossoms and they decide to attempt a long distance relationship, Garrett in New York and Erin in California.

There’s something wonderful about Drew Barrymore. She’s the perfect every girl, someone you can believe would be walking around the streets of the Big Apple. She is adorable, bubbly and charming with a sort of sexiness that doesn’t overshadow her personality. Cast her opposite real life on again, off again boyfriend Justin Long and you have a chemistry that feels authentic.

Even more important than that, however, is the humor and there are a few great jokes here. There aren’t many movies that can pull off a Triumph of the Will reference, but Going the Distance somehow does. That funny line precedes the funniest scene of the movie: phone sex gone wrong. But for every one of those instances, there’s another where the joke falls completely flat or is stretched too long, including an absurdly unfunny sight gag involving a tanning machine and run on jokes about defecating with the door open.

What the movie unfortunately lacks is an emotional evolution of the characters. Think back to some of the greatest romantic comedies of all time like It Happened One Night or When Harry Met Sally. Those wonderful films began with the two main characters at a quarrel, not particularly liking each other, but as the movie went on they gradually realized the romantic feelings that were there. Going the Distance has no such arc. The characters love each other at the beginning and they love each other at the end. So what the film instead resorts to is a continual loop, one character flying out to visit the other, going back home and then wondering if they can keep it up being so far apart. It wears thin by the end.

Going the Distance has many problems and it falls far short of being memorable. I suspect in a month or so, I’ll have forgotten about it entirely, but the leads are likable and the supporting cast beautifully supports them, providing a much needed comedic break between the sometimes eye rolling dramatics. It’s worth a look, but only once and never again.

Going the Distance receives 2.5/5