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Entries in identity thief (2)

Friday
Mar212014

Bad Words

Jason Bateman is one of the most likable people in Hollywood. We may not know how he acts in private, but in films, interviews and other public appearances, he comes off as a charming, lovable goof. It’s that considerable charm that pulls him through some of his otherwise lackluster film and television efforts (“Identity Thief” comes to mind). With this, one can’t help but wonder what he was thinking when he agreed to do “Bad Words.” He’s not good at being bad and, with this being his feature length directorial debut, he doesn’t have the directing chops to make up for it. Not since “Bad Teacher” has a central character been so vile, so hurtful, so unnecessarily mean that he manages to kill any goodwill the film may have had otherwise. It’s going to be hard to top this character’s repugnancy this year and it’s almost certainly destined to be one of the worst of the year.

Guy Trilby (Bateman) is a 40 year old man who finds a loophole in the national children’s spelling bee contest that allows him to enter as a contestant. He even has a sponsor, as all participants must, in the form of Jenny (Kathryn Hahn), a journalist for a nationally recognized online publication. She hopes to get to the root of his motivation, but he’s very reserved in that regard. He doesn’t want to reveal why he’s doing what he’s doing, but he has his reasons.

It’s a fairly weak plot with a thin narrative arc and an even thinner emotional one. Guy is unhappy and treats those around him poorly. To put it plainly, he’s a scumbag and it’s nearly impossible to care about him in any way. A good example of his personality comes early in the film when he’s on an airplane. A sweet Indian kid named Chaitanya Chopra (Rohan Chand) starts talking to him, which, of course, is a minor inconvenience to him, so he proceeds to tell the kid to shut his “curry hole” or he’s going to tell the pilot his bag is ticking. While this is one of the more extreme examples of his pervasive boorishness, it nevertheless captures him well.

This wouldn’t be a problem if his actions were explained. More than anything else, this film needed a gradual reveal. Something needed to happen to open this hateful character up and reveal the man within to help the audience feel empathy, but that doesn’t appear to be on its agenda. Despite a tender moment or two, there’s no gradual reveal of Guy’s motivations. Instead, it’s merely said in passing. Without ruining the reveal itself, Jenny, being the journalist she is, figures out his motivation and his primary goal, to which he replies with the equivalent of, “Good job.” There’s no emotion in this scene, nothing to suggest that the man we see isn’t the man he wants to be.

In fact, when it appears he may build some goodwill, he promptly negates it with his puerile antics. Throughout the tournament, he manipulates kids around him into dropping out or otherwise losing, but as soon as he finds out someone has been manipulating him, he has a childish freak out. When the end rolls around, it’s shown that his actions have had zero repercussions and the closure he alludes to, which is the very reason he went on this strange journey, still appears to be out of grasp. He may take what some may consider the high road at a certain junction in the back half of the film, but it doesn’t negate the numerous low road decisions made prior.

It should also be mentioned that “Bad Words” simply isn’t funny. While a chuckle or two here and there may sneak its way out of some, the vileness of the character always serves as a reminder that the person you’re watching is more worthy of pity than laughs. Guy is a sad excuse for a man and an even sadder excuse for a character that we’re supposedly meant to root for. “Bad Words” is one of the most hateful, mean spirited comedies in recent memory and has close to zero redeeming factors.

Bad Words receives 0.5/5

Sunday
Feb102013

Identity Thief

Jason Bateman is one of the most underappreciated comedians in Hollywood, though he enjoys an almost cult-like following thanks to his days as Michael Bluth on TV’s Arrested Development. Melissa McCarthy is a fresh new face who wowed audiences with her hilarious performance in 2011’s Bridesmaids and who also enjoys a rather stern following thanks to her hit CBS show, Mike & Molly. Put these two talents together and you get Identity Thief, a supposed comedy that wastes both of them on a messy script that is almost completely devoid of any and all laughs. It’s a sad sight to see, such talent floundering around in such a disaster, but with the comedy genre offering little recently in the way of quality, one can only hope the two leads agreed to star because it was the only thing they were offered.

Bateman plays Sandy Patterson, a lowly businessman in Colorado who manages his company’s in-house accounts, which, as his awful boss Harold Cornish (Jon Favreau) puts it, a computer program could do. He’s not held in very high regard at his job despite his high quality of work, so when his co-worker, Daniel (John Cho), offers him a job at his new upstart company where he’ll be making five times what he’s making now, he immediately accepts. Besides, he has a loving wife (Amanda Peet) and two young children at home to take care of, with another on the way. However, he soon finds out his identity has been stolen by an unnamed woman in Florida (Melissa McCarthy) who has taken part in illegal activities, confusing police and making him the prime suspect. This doesn’t look good for the company, so he makes an agreement with his boss and the local cop (whose jurisdiction doesn’t extend beyond Denver): if he can bring this woman to Colorado and have her confess, he’ll get to keep his job and the cops can close the case. They both agree, so he jets off to Florida to find her.

What follows is a predictable movie where the two seemingly opposite, initially at odds characters spark an eventual friendship and begin to appreciate each other, yet the narrative arc to those revelations is absurd to the extreme and mixes in bounty hunters, additional identity thefts, car chases and wildlife encounters. Because the proceedings are so outlandish, it’s hard to take what’s happening seriously, even if you manage to overlook the contrived set-up that sets them off on this adventure. The two, in and of themselves, aren’t particularly interesting characters either, or at least not as a pair. She’s a loud, obnoxious and colorful (in that she wears too much make-up) bore who flails her body around trying to wring out a laugh and he is a whiny, gullible idiot. It’s his own nitwittedness that got him to this point anyway—everyone knows not to give out personal information over the phone. She has wronged him to the point where his life is crashing down. His finances are depleted and services, like cable, that we all take for granted are getting shut off, so his eventual realization that, hey, she’s not such a bad person after all is unconvincing and trite.

However, this turn doesn’t come completely out of left field; the filmmakers certainly tried to realistically get them to that point. Early in the film, for example, this unnamed woman’s friendlessness and loneliness is established, however bluntly it may be (“They’re not your friends,” a bartender says as she uses Sandy’s money to milk the bar. “They just like you because you’re buying them drinks”), yet she’s such a vindictive and selfish woman that it fails to elicit any type of caring in the viewer. If Identity Thief has about ten percent of the emotion a good drama should have, it has about two percent of the laughs of a comedy equivalent. Because the characters are so unlikable, their shenanigans are barely diverting, much less funny and the film’s humor falls flat time and time again.

Its best moment comes when the characters act like real, decent human beings (imagine that). One excellent scene forces McCarthy to show her acting chops, going from goofy to sad and back again, and she pulls it off with grace, proving she has what it takes to carry a movie, even if this one will make her detractors say otherwise. Decrease the farce and make a real movie with a real message and Identity Thief could have proven to be something interesting, a movie that warms the heart and provides occasional laughs, but its over-the-top nature proves to be its downfall. It’s neither sweet nor funny. Jason Bateman, Melissa McCarthy and the movie going audience deserve a whole lot better than what this has to offer.

Identity Thief receives 1/5