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Entries in iron man 3 (2)

Friday
Aug162013

Kick-Ass 2

While far from perfect, and certainly not as good as some fanboys claimed it to be, 2010’s “Kick-Ass” was a welcome addition to a cinematic landscape that was just beginning its superhero boom, arguably brought on by the success of “Iron Man” two years prior. The film took the superhero tropes we had come to know and mocked them, spoofing the genre while simultaneously creating a self-parody; a “Scream” for superheroes. Although inconsistent in that parody, it was nevertheless charming and funny enough to make the movie an easily watchable affair. Unfortunately, the same can’t be said for “Kick-Ass 2.” The parody is thin, if not non-existent, the humor falls flat and the drama is inflated to an unmerciful degree. If you’re a big fan of the first movie, prepare to be disappointed here.

Taking place sometime after the events of the first movie, superheroes have become all the rage. The streets are littered with self-proclaimed heroes who, in reality, don’t do much of anything, much less stop evildoers. Once again feeling the need to take action, Dave Lizewski, also known as Kick-Ass (Aaron Taylor-Johson) returns to the streets. It’s there he meets Dr. Gravity (Donald Faison) who introduces him to a new league of superheroes forming an Avengers-esque team. There’s Insect Man (Robert Emms), Night Bitch (Lindy Booth), their leader, Colonel Stars and Stripes (Jim Carrey), and even Dave’s old friend, Marty, now known as Battle Guy (Clark Duke). Their formation couldn’t come at a better time because a league of supervillains is also forming. They’re led by Kick-Ass’s nemesis, Chris D’Amico, who now calls himself The Motherfucker (Christopher Mintz-Plasse). Even worse, Hit Girl (Chloe Grace Moretz) has vowed to her new guardian that she would stop putting herself in danger and is unable to help Kick-Ass and his team.

The thing about the superhero genre, especially after all these consecutive years of watching our movie theaters get overrun by them, is that they practically parody themselves at this point. Look at this summer’s “Iron Man 3” as an example, particularly in the way (spoiler alert!) that it handled one of its main antagonists, The Mandarin, as portrayed by Ben Kingsley. It took this mysterious figure, one that threatened death and destruction and was feared around the world and deconstructed him into a joke, and a quite effective one at that (though I’m sure some comic fans will disagree). Like any good parody, it took our expectation of who and what a superhero villain should be and turned it on its head. For “Kick-Ass 2” to remain relevant, it needed to do something vastly different.

And it does, though the decided emphasis is misguided at best and downright disastrous at worst. Surprisingly, this sequel takes a drastic turn from the general goofiness of the original film and ratchets up the drama. While not necessarily a bad thing in theory, the drama was the first film’s primary downfall. Upon my initial viewing, I thought it was because it simply didn’t gel well with the over-the-top antics of the scenes those brief dramatic moments were wedged in between, but if this movie is any indication, it’s simply because it’s just not done well, no doubt enhanced by director Jeff Wadlow’s inexperience with such matters (and whose only other feature length efforts are “Cry_Wolf” and “Never Back Down,” hardly an impressive pedigree).

Whereas the drama in “Kick-Ass” merely bogged down a bit of the fun, the drama hear bogs down the entire movie. If it’s not the embarrassing “Mean Girls”-esque subplot where Hit Girl is trying to fit in at school as a normal teenager, it’s heavy handed dialogue and ridiculous slow motion shots (including the obligatory “phone dropping to the floor after receiving bad news” shot). However, none of it is done in jest, rarely acknowledging its self-aware undercurrents that were so prevalent in its predecessor. The only person who seems to understand the absurdity of the movie he’s in is Mintz-Plasse as The Motherfucker, who, despite an overall darker character turn, transitions well from the previous movie, bringing what little fun he can to a movie that is anything but.

It would be unfair to place blame on the other actors, though. Carrey, in particular, is fantastic as Colonel Stars and Stripes while the rest of the cast similarly does what is called for. The problem lies in the screenplay, which slaps them in far-too-dark, overly emotional nonsense. While some clever moments remain intact, the bulk of the film fails to elicit the excitement, fun or humor of what came before. The action is serviceable, but nowhere near as stylish, the laughs are few and far between and the story lacks polish—loose ends are left unresolved and recognizable characters from the last installment show up briefly for a line or two before disappearing, never to be heard from or mentioned again. “Kick-Ass 2” had the potential to be bigger and better, to take the solid foundation of “Kick-Ass” and make it something special, but it fails on nearly all fronts.

Kick-Ass 2 receives 1.5/5

Thursday
May022013

Iron Man 3

If you ask me “The Avengers” was one of the most overrated movies of last year. For those of you who haven’t already stopped reading, allow me to explain. Despite some good laughs and some high flying action, I found “The Avengers” to be narratively unfocused. Its tone was inconsistent, its drama fell flat and the character progression that had developed through each hero’s individual movies was brought to a screeching halt. With the exception of perhaps Thor, every character ended the movie exactly the same as they began. While not necessarily a bad thing to shoot for mindless popcorn entertainment, I wanted more, especially given that the majority of the other films had done such a good job getting those characters to that point. “Iron Man 3,” at least in this sense, is a return to form. Tony Stark is still the lovable goof we know him as, but we get to see a different side of him this time, a side that one might not expect from a world renowned superhero. Despite some terrific action, this is substance over style and that is its greatest strength.

The film takes place after the events of “The Avengers” and Stark (Robert Downey Jr.) is even more of a celebrity than he was before. However, those events have caused some emotional trauma within him and he’s finding himself unable to sleep at night, despite his gorgeous girlfriend, Pepper Potts (Gwyneth Paltrow), laying by his side. He instead spends most nights tinkering with his tools and building Iron Man suits. This may prove to be a good thing, however, because a terrorist named the Mandarin (Ben Kingsley) has been blowing up landmarks all across the country and now has his sights set on the President. After one of these explosions puts his old bodyguard and friend Happy Hogan (Jon Favreau) in the hospital, he takes it upon himself to challenge the Mandarin and sets off to stop him before he harms more people.

Robert Downey Jr. did a marvelous thing when he first became Iron Man back in 2008. He took a comic book character that, at least when compared to the heavy hitters like Batman, Superman and Spider-Man, was considered third rate and instantly made him his own. The character he created out of Tony Stark instantly hooked viewers, catapulting Iron Man to A-list status, right alongside those aforementioned heroes. However, the success of the character and the movies themselves didn’t rest entirely on Downey Jr.’s performances, but rather his performances were complemented by clever stories and witty dialogue that fleshed out the character. In “Iron Man 3,” his character comes along even further.

After the events of “The Avengers,” Tony Stark is afraid. He’s suffering from what could only be classified as post-traumatic stress disorder and has become uncertain of his abilities. The pressure has become too much to bear and at multiple points in the movie, he has to battle panic attacks, knowing all too well that he is the only one that can stop the evil Mandarin and his terrorist lackeys from killing again. Watching a superhero try to cope with these conflicting thoughts and emotions—the desire to do what’s right with the fear of failing—is fascinating and though it’s not an entirely unexplored area in superhero movies, doing so with the otherwise cocky Stark gives it more weight. He’s not a character that openly wrestles with his emotions, but rather one that hides them under the veil of confidence. To see them finally surface makes this “Iron Man,” at least in regards to character exploration and progression, the best of them all.

This theme isn’t entirely consistent throughout the movie, however, particularly when he essentially becomes a stealth assassin and singlehandedly infiltrates the Mandarin’s hideout while taking out a number of armed bodyguards on the way (all outside of his suit, too). To follow up scenes of doubt and dread with some of the boldest actions he’s ever pulled off in the calmest demeanor he’s ever had shows an all too obvious conflict between the film’s desire to provide thrills while also telling a meaningful story. Yet one can’t help but be thankful that theme is at least implemented. This is a film that aims higher than popcorn action like “The Avengers,” which didn’t try to hit these emotional levels at all.

What some may find surprising—and the reason this character evaluation succeeds despite some stumbles—is that Tony Stark spends far more time outside of his suit than in. “Iron Man 3” is far more focused on character and plot than bangs and booms. This focus doesn’t only relate to Stark either, but the other characters as well. In particular, one terrific plot twist brings about some huge laughs and makes us reevaluate the antagonist in a way we rarely get to at the movies.

“Iron Man 3” has nearly everything one could want from a superhero movie and wraps up the trilogy in an exciting and satisfying way, and that’s in spite of its flaws. It’s tough to say if this will hold up alongside the plethora of other big name action movies being released in the coming weeks, but it’s a terrific way to start the summer and proves that superhero movies are far from running their course.

Iron Man 3 receives 4/5