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Entries in melissa mccarthy (2)

Sunday
Feb102013

Identity Thief

Jason Bateman is one of the most underappreciated comedians in Hollywood, though he enjoys an almost cult-like following thanks to his days as Michael Bluth on TV’s Arrested Development. Melissa McCarthy is a fresh new face who wowed audiences with her hilarious performance in 2011’s Bridesmaids and who also enjoys a rather stern following thanks to her hit CBS show, Mike & Molly. Put these two talents together and you get Identity Thief, a supposed comedy that wastes both of them on a messy script that is almost completely devoid of any and all laughs. It’s a sad sight to see, such talent floundering around in such a disaster, but with the comedy genre offering little recently in the way of quality, one can only hope the two leads agreed to star because it was the only thing they were offered.

Bateman plays Sandy Patterson, a lowly businessman in Colorado who manages his company’s in-house accounts, which, as his awful boss Harold Cornish (Jon Favreau) puts it, a computer program could do. He’s not held in very high regard at his job despite his high quality of work, so when his co-worker, Daniel (John Cho), offers him a job at his new upstart company where he’ll be making five times what he’s making now, he immediately accepts. Besides, he has a loving wife (Amanda Peet) and two young children at home to take care of, with another on the way. However, he soon finds out his identity has been stolen by an unnamed woman in Florida (Melissa McCarthy) who has taken part in illegal activities, confusing police and making him the prime suspect. This doesn’t look good for the company, so he makes an agreement with his boss and the local cop (whose jurisdiction doesn’t extend beyond Denver): if he can bring this woman to Colorado and have her confess, he’ll get to keep his job and the cops can close the case. They both agree, so he jets off to Florida to find her.

What follows is a predictable movie where the two seemingly opposite, initially at odds characters spark an eventual friendship and begin to appreciate each other, yet the narrative arc to those revelations is absurd to the extreme and mixes in bounty hunters, additional identity thefts, car chases and wildlife encounters. Because the proceedings are so outlandish, it’s hard to take what’s happening seriously, even if you manage to overlook the contrived set-up that sets them off on this adventure. The two, in and of themselves, aren’t particularly interesting characters either, or at least not as a pair. She’s a loud, obnoxious and colorful (in that she wears too much make-up) bore who flails her body around trying to wring out a laugh and he is a whiny, gullible idiot. It’s his own nitwittedness that got him to this point anyway—everyone knows not to give out personal information over the phone. She has wronged him to the point where his life is crashing down. His finances are depleted and services, like cable, that we all take for granted are getting shut off, so his eventual realization that, hey, she’s not such a bad person after all is unconvincing and trite.

However, this turn doesn’t come completely out of left field; the filmmakers certainly tried to realistically get them to that point. Early in the film, for example, this unnamed woman’s friendlessness and loneliness is established, however bluntly it may be (“They’re not your friends,” a bartender says as she uses Sandy’s money to milk the bar. “They just like you because you’re buying them drinks”), yet she’s such a vindictive and selfish woman that it fails to elicit any type of caring in the viewer. If Identity Thief has about ten percent of the emotion a good drama should have, it has about two percent of the laughs of a comedy equivalent. Because the characters are so unlikable, their shenanigans are barely diverting, much less funny and the film’s humor falls flat time and time again.

Its best moment comes when the characters act like real, decent human beings (imagine that). One excellent scene forces McCarthy to show her acting chops, going from goofy to sad and back again, and she pulls it off with grace, proving she has what it takes to carry a movie, even if this one will make her detractors say otherwise. Decrease the farce and make a real movie with a real message and Identity Thief could have proven to be something interesting, a movie that warms the heart and provides occasional laughs, but its over-the-top nature proves to be its downfall. It’s neither sweet nor funny. Jason Bateman, Melissa McCarthy and the movie going audience deserve a whole lot better than what this has to offer.

Identity Thief receives 1/5

Friday
May132011

Bridesmaids

If you’re a fan of The 40 Year Old Virgin, Knocked Up or pretty much any raunchy R rated comedy to come out in the last few years, pay attention because this movie is for you. Bridesmaids is easily the funniest movie to be released since Get Him to the Greek and could prove itself to be the funniest movie of the year if The Hangover II fails to reach expectations. Coming from Apatow Productions and channeling much of what made his movies so popular, Bridesmaids nails it. It’s a filthy movie with a cast of strong females that can easily stand toe-to-toe with the big boys. While it is certainly nice to see a film of this ilk filled with strong, prominent women rather than big, loud men, focusing on that would be a mistake. Regardless of gender, Bridesmaids is flat out hilarious.

Kristen Wiig plays Annie, an approaching-40-years-old woman who has yet to settle down. She fools around with Ted, played by Jon Hamm, but he isn’t anywhere close to making a commitment and more or less kicks her out of his house after they’re done having sex. One day, her best friend Lillian, played by Maya Rudolph, surprises her with an announcement. Her boyfriend just popped the question and she wants Annie to be her maid of honor. She accepts, but a fellow bridesmaid named Helen, played by Rose Byrne, starts a competition and does everything she can to take the coveted title from her.

If there was ever a cast worth mentioning, it’s this one. On top of those already mentioned, Bridesmaids stars Jill Clayburgh (in her final role), Melissa McCarthy from TV’s “Mike & Molly,” Wendi McLendon-Covey from Comedy Central’s “Reno 911!” and Ellie Kemper, best known as the always smiling secretary from “The Office.” While I can’t speak for their comedic talents solo, putting them together is magic. All of these women bring their own unique style to the show, which creates comedic diversity and keeps the movie from becoming stale too quickly.

Most importantly, however, is that each character is likable, even when they have tantrums that may or may not be warranted. The girls aren’t written like generic romantic comedy females who embarrassingly drown themselves in ice cream and complain about not having a man. Rather, they are three dimensional characters with real problems and emotions that ring true. The parts are written so well and played so convincingly that you’ll find yourself engaged even when you aren’t laughing.

And that’s good because it has stretches where the laughs just don’t come. Many of the jokes stem from the feud between Annie and Helen and they play out for far too long, like an early scene at Lillian's engagement party where they take turn giving speeches in an attempt to one-up the other, passing the microphone no less than six times. Another example comes on an airplane where Annie’s fear of flying, an overused screenplay fear that is boring to begin with, creates a string of unfunny jokes that run on for what feels like at least a good 10-15 minutes. Thankfully, these don’t-know-when-to-quit moments are few and far between. Just when it looks like it’s going to lose itself, Bridesmaids bounces back, usually thanks to the lovely Kristen Wiig, who is so affable and funny you can’t help but fall in love with her.

But just like most other movies with Judd Apatow’s name attached to it, Bridesmaids is too long, running all the way to two hours. Along with the scenes already mentioned, there are plenty of moments that could have easily been cut, tightening the picture and making it that much better. But to complain about such short stretches of tedium seems frivolous considering that the rest of the movie is so wonderful. It’s funny, it has a big heart and it ranks among the best comedies of the last few years. And that’s saying something.

Bridesmaids receives 4/5