If you ask me, out of all the Marvel movies leading up to and extending past last year’s summer megahit “The Avengers,” 2011’s “Thor” is by far the weakest. While certainly a summer spectacle worthy of the Marvel name, the main character was, quite simply, kind of dull. Thor simply didn’t have the personality of someone like Iron Man or the altruistic morals of Captain America or even the unpredictable nature of The Hulk. When compared to some of our greatest superheroes like Batman or Spiderman, Thor didn’t stack up. While those characters had demons to wrestle, events from their lives that dramatically changed them forever, Thor was a “just because” fighter. His motivation never really extended past the knowledge that it was simply what he was supposed to do. Such thinness is boring and it made “Thor” the only Marvel movie in this “Avengers” canon that wasn’t recommendable. Its sequel, “Thor: The Dark World” fares slightly better than its predecessor, but many of the same problems pervade it. It’s safe to say that if you enjoyed “Thor,” you’ll enjoy this, but Thor nevertheless remains the most uninteresting character in Marvel’s current movie bag.
Thousands of years ago, Bor, the father or Odin (Anthony Hopkins), defeated a monstrous race of beings known as the Dark Elves. Led by Malekith (Christopher Eccleston), their goal was to reverse the state of the nine realms to a period before creation using a relic known as the Aether. Despite their defeat, Malekith escaped, waiting for the perfect opportunity to strike once again. The relic was then buried deep, in a place where hopefully nobody would ever find it. In present day, the alignment of the nine realms, known as the Convergence, is upon us. This alignment is causing vortexes to appear in the realms, one of which astrophysicist Jane Foster (Natalie Portman) stumbles upon. This leads her to the Aether, which manifests itself inside of her. Now Malekith is out to get it, but Thor, along with his untrustworthy brother Loki (Tom Hiddleston), is going to attempt to stop him and save Jane.
One change in Thor’s character that is immediately recognizable in this film is that his childish wanting-to-fight attitude from the previous movie has been replaced with a more mature willing-to-fight attitude. Rather than taking pleasure in it, he sees battle as his duty, to protect the nine realms. A late scene speech confirms this. Furthermore, due to a couple of scenes that shall not spoiled, he’s facing some true emotional pain. Thus, there is more character development here than there ever was before. This is a welcome inclusion and helps make him more likable, more like someone we would want to cheer for rather than someone we’re supposed to. This by no means makes Thor someone worth watching, but it’s a step in the right direction and if the excellent foreboding final shot is any indication, there are some truly exciting things on the horizon for the muscular god.
But hope for future greatness is not relevant to this current product. There is still a lot of bombastic action, as is common in all superhero movies, but little reason to care, mainly due to a somewhat confusing central story, some grating comic relief side characters and a bland enemy. Kat Dennings, in particular, tries far too hard here, cracking jokes at every turn to the point of obnoxiousness, while the enemies are faceless drones with masks akin to the emotionless one Michael Myers wears in the “Halloween” films. Despite an interesting dual hero/villain role for Loki (that is, unfortunately, far too short to have much impact), there’s little to keep one’s interest here.
Where “Thor: The Dark World” really finds its inspiration is in its action heavy finale. It’s so exciting, you’ll find yourself caring about what’s happening, even if you don’t really care about why. Other superhero movies, including this year’s “Iron Man 3” and “Man of Steel,” went far too over-the-top with their endings. The action came so fast and heavy that it was difficult to not become numb to it. Due to the film’s set-up, the characters see themselves flying through multiple vortexes, constantly transporting from place to place and narrowly escaping disaster. This allows for a variety other similar films can’t afford and it keeps you on your toes because what happens next is likely to be different and unexpected.
“Thor: The Dark World” isn’t without other merits either. It has some mildly amusing humor and one absolutely terrific off-kilter cameo from another popular Marvel character, but the film as a whole is decidedly lackluster, and that’s even if you don’t take into account how the 3D glasses further dim an already visually dark movie. In the end, it really is a shame all of the film’s inspiration comes from its action rather than its story because the latter trumps the former every time. “Thor: The Dark World” is kind of like a Stairmaster work out machine. You’re technically taking steps up, but you’re not really going anywhere.
Thor: The Dark World receives 2.5/5