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Entries in tommy lee jones (2)

Wednesday
Aug082012

Hope Springs

It’s not often movies aim at winning over the above 50 crowd. We have movies for children, adrenaline fueled young men, overemotional teenage girls and nearly everyone in between, but the older crowd is continually shafted when it comes to the movies. Where are the thoughtful, mature films starring older actors in a story about problems that detail the struggles they have to endure? They’re pretty rare, the last mainstream one I can think of coming in the form of 2009’s It’s Complicated starring Meryl Streep. This week’s latest, Hope Springs, which also coincidentally stars Meryl Streep, is more in line with that film than most that have come out in recent years. It’s for older folks, those who have lived a long enough life to know what real troubles are and what true love is. Being a male in my 20’s, I can’t say how well it captures such a life, but I can say we need more movies like it. Hope Springs is contemplative and deliberate, taking its time to tell its story in an age of fast action and frenetic edits. It’s by no means perfect, but it’s worth seeing.

Streep plays Kay, a housewife who is in a rut. Every day it’s the same routine. She wakes up, makes eggs and bacon for her husband, Arnold (Tommy Lee Jones), and has dinner ready when he arrives back home, which he eats before falling asleep in his La-Z-Boy watching the Golf Channel. She has become increasingly unhappy with her marriage since her kids moved out and she wants to fix it, so she books a flight to Maine where noted couples therapist Dr. Feld (Steve Carell) works. She has paid for a week’s worth of his consultation hoping it will save her marriage, but first she has to contend with her unwilling husband.

Despite inevitable comparisons to the aforementioned It’s Complicated (especially considering both are aiming for the same demographic), Hope Springs is quite different. It’s Complicated tried to spice things up a bit, shoehorning in internet lingo and references to MTV shows in a desperate attempt to be hip. In this regard, Hope Springs is more adult, even if it does sacrifice much of its energy and laughs in being so. This isn’t a movie about a woman who’s sleeping around and juggling multiple men like It’s Complicated. It’s about a woman who wants to reconnect with the one love of her life after having grown distant.

The film rightfully refuses to take sides, showing that Kay and Arnold have both been compliant in allowing their marriage to crumble and they both behave as you would expect. Kay wants to express her feelings while Arnold wants to keep them inside. He’s nervous about the whole situation and is embarrassed to talk about their sex life, something he considers to be deeply personal, with Dr. Feld, which could be any random person for all he cares. Throughout the film, Arnold complains about what they’re doing, using sarcasm and general meanness as a defense mechanism to hide his true fears about losing his wife, which is both the strongest and weakest aspect of the film. He and his wife are in a serious situation, one that threatens to destroy everything they know, but these one-liners and sarcastic quips are the central comedic aspect of the film. It’s hard to make the dialogue be both meaningful and humorous. Hope Springs never fully succeeds in doing so.

Still, their evolution is convincing. Even as Arnold slowly comes out of his shell, his reservations still show through. In time, he realizes he must do something if he wants his wife to stay with him, but he doesn’t know what. Neither character ever fully figures it out, but they change anyway in an attempt to make things better, which, in a sense, is really what love is all about. By the time it ends, Hope Springs has delved deeper into that topic than what many will expect. It’s profundity isn’t necessarily apparent as you’re watching it—perhaps our brains are more tuned to less grounded, Hollywood manufactured takes on love—but upon recollection, it shows its beautiful face.

Hope Springs receives 4/5

Friday
May252012

Men in Black 3

Men in Black 3 is an oddity. Nobody was really asking for it, but at the same time, it’s easy to understand why it’s here. It comes from a popular franchise with a likable, funny star that has always churned out impressive box office numbers and this new installment is likely to do the same. Still, Men in Black 3 shows its age and while it’s not the funniest movie in the world (especially when compared to the previous installments), it makes up for it with a surprisingly affecting story and an ending that makes you completely reevaluate the relationship between the two main characters.

The film begins with a sultry vixen who is about to break the last Boglodite in the universe, Boris the Animal (Jemaine Clement), out from a top secret prison located on the moon. He has been locked up for over 40 years thanks to Agent K (Tommy Lee Jones), who shot off his arm in the apprehension, and his first order of business is to take him out before that fateful day. He succeeds in doing so, but only after going back in time, all the way back to 1969. K’s partner, Agent J (Will Smith) is the only person who isn’t affected by the altered history (for nebulous reasons), so he also heads back in time to save the young K (Josh Brolin) from an untimely demise.

The first thing one notices when watching Men in Black 3 is how much its stars have aged. In the other films, Jones played the hardened older man who had to put up with the uncouth style of a young Will Smith. Now, Jones isn’t playing the hardened older man. He has actually become one and his lack of caring shows. He coasts by in this role, almost as if he’s wondering why he’s there dressed up once again in a black suit, shooting CGI creations with silly looking plastic guns. The filmmakers try to recreate the magic from the other films, but the original film came out 15 years ago and Smith doesn’t fit the young, quick witted role anymore. He’s old enough where he could play the hardened older K from the original film and a younger face could play him.

In their attempt to recapture the olden days, the humor comes off as outdated as well. This futuristic, science fiction, alien invasion movie, which should be able to come up with better jokes than the typical “look how old this stuff is” material so many time travel movies rely on, succumbs to just that. The neuralyzer, the spiffy device used to wipe the memories of those who witness the actions of the Men in Black, takes time to charge and is attached to a battery pack, for example. It’s this type of laziness that keeps the movie from matching its predecessors in laughs. If you’re going for the comedy, you might as well not go at all.

However, what Men in Black 3 misses in that area, it makes up for with its solid story and emotional ending. It may have an uninteresting and barely menacing villain played by a miscast actor who isn’t all that compelling to begin with, but viewers aren’t going for him. They’re going for the connection between K and J, to watch their relationship grow, and boy does it ever. The final scene, a twist that is satisfying without being obvious, works incredibly well and makes you appreciate their characters that much more. It adds a new, more personal, layer to their relationship that works in the moment, even if it may not necessarily work in conjunction with previous films.

Only repeat viewings of the other two movies will be able to tell if it does or not, sans for a few unmissable plot holes like the supposedly long history Agent K has with Agent O (played in the present day by Emma Thompson and in the past by Alice Eve), despite her exclusion in the series up until this point. The character is connected very loosely to what’s going on, serving only as an expositional narrative device, and fails on multiple levels of poor screenwriting because of it. But the movie as a whole, as cliché as it is to say, is greater than the sum of its parts. Men in Black 3 isn’t a reinvigoration of the franchise or particularly interesting as a standalone film, but as the emotional bookend to two memorable and lovable characters, it works.

Men in Black 3 receives 3/5