Ever since the final story in the “Harry Potter” film series was split into two movies, other popular franchises based on young adult novels have followed suit. From “Twilight” to the upcoming “Divergent” finale to this week’s “Hunger Games” entry, it has become common practice to milk every dollar possible out of their fanbases. While smart from a business point-of-view, such a tactic typically means the storytelling suffers. To date, each first entry in these splits have expectedly felt like the first half of a whole story. But whereas “Harry Potter” had some meat to it, the first part of the final installment in the “Hunger Games,” subtitled “Mockingjay,” has none. The film is a cash grab through and through, taking about 30-45 minutes of dramatic narrative and lengthening it to a plodding two hours. And that’s the least of its problems. Despite two solid entries in the popular franchise, “The Hunger Games: Mockingjay Part 1” fails to deliver in nearly every regard.
The story picks up where “Catching Fire” left off. Katniss (Jennifer Lawrence) has essentially destroyed the Hunger Games and has been picked up by the rebels who intend to overthrow the Capitol. To do that, they need to get the people from each district on their side, so the rebel president, Alma Coin (Julianne Moore), and her right hand man, Plutarch Heavensbee (Philip Seymour Hoffman), convince Katniss to be the face of the rebellion, their Mockingjay, and they set out to make propaganda films they can broadcast all around the Capitol.
That is more or less all that happens in this part one of the “Mockingjay” story. It shoehorns in certain themes, particularly in its exploration of totalitarianism, but they fail to resonate. While a story about government intrusion and control over its people is not a bad one, it’s one that has been explored to death, especially in recent years when the US government arguably overextended its rights after 9/11. “Mockingjay” doesn’t do or say anything particularly different, or even well, instead opting to be what amounts to a rather basic “corrupt government vs. righteous rebellion” story.
Even if just looking at it from an action perspective, even if you go in just trying to satisfy your most primitive, visceral desires, “Mockingjay Part 1” won’t satisfy. The Hunger Games from the previous movies are over and the rebellion has begun, but their focus on propaganda films means much of the action happens at a distance, Katniss merely hearing about it or seeing it after the fact and subsequently expressing her frustration on camera, which the rebels use for future broadcasts. The fear, the thrill, the mystery, the intrigue; they’re all gone, replaced with unenticing answers and a glacial narrative pace.
Ultimately, its pseudo-intellectualism is the most prevalent aspect of “Mockingjay,” at least from a story perspective. Unfortunately, its visuals don’t do much to pick up the slack. The colorful eye candy from the two previous films are muted to drab grays and browns here; count yourself lucky if you pick out the fleeting moments of actual color. Though the aesthetic switch compliments the darker tone of the film, it nevertheless makes the movie a visual bore. It is possible to make a tonally dark movie with a dark, muted color palette without compromising the actual beauty of the film. The later “Harry Potter” entries are great examples of those films. “Mockingjay Part 1” is not.
Worse yet, the dialogue is full of some of the most heavy handed ramblings you’ll hear all year, as Katniss and her cohorts proselytize incessantly like loudmouthed doomsayers on a college campus. Lawrence is a terrific actress, but even she can’t elevate her dialogue from the drudgery of the page it was conceived on. When she isn’t talking, the supporting characters don’t do much better as they speak obvious truths, seemingly to appeal to the dumber viewers in the audience. After one character gives a very clear warning to the rebels, another yells out, “A warning! That was a warning!”
There are a few tense scenes, but they either pale in comparison to similar sequences in other films or they fizzle out before anything really happens. The finale in particular ends up going nowhere and the one would-be frightening scene where bombs are dropping overhead recalls 1942’s terrific “Mrs. Miniver,” and it reaches not even a tenth of the drama and fear that movie instilled in the viewer.
There’s not much going on for the majority of this film, but just when the story finally begins to gain some momentum, it abruptly ends. Though it sets the stage for a hopefully more exciting final installment—and when coupled with it, perhaps this first half will fare better—as a standalone product, “The Hunger Games: Mockingjay Part 1” is a monumental dud, a huge nosedive in quality that is unprecedented in other major franchises. It’s unworthy of the venerable “Hunger Games” name and most certainly unworthy of your time.
The Hunger Games: Mockingjay Part 1 receives 1/5